Wednesday, 4 February 2009

DEXTER SINISTER/PUBLISHER

Dexter Sinister
Just-In-Time Workshop & Occasional Bookstore
38 Ludlow Street (Basement South)
New York, New York 10002
Tel +1 213 235 6296 / +1 917 741 8949
Info(at)dextersinister.org / Subscribe

Dexter Sinister will be open Saturdays from 12 to 6 pm
beginning Saturday, July 1 2006.

Dexter Sinister is the compound name of David Reinfurt and Stuart Bailey. David graduated from the University of North Carolina in 1993, Yale University in 1999, and went on to form O-R-G, a design studio in New York City. Stuart graduated from the University of Reading in 1994, the Werkplaats Typografie in 2000, and co-founded the arts journal Dot Dot Dot the same year. David currently teaches at Columbia University and Rhode Island School of Design. Stuart is currently involved in diverse projects at Parsons School of Design (NYC) and Pasadena Art Center (LA).

Dexter Sinister recently established a workshop in the basement at 38 Ludlow Street, on the Lower East Side in New York City. The workshop is intended to model a ‘Just-In-Time’ economy of print production, running counter to the contemporary assembly-line realities of large-scale publishing. This involves avoiding waste by working on-demand, utilizing local cheap machinery, considering alternate distribution strategies, and collapsing distinctions of editing, design, production and distribution into one efficient activity.

Sarah Crowner became involved with Dexter Sinister in summer 2006. She is a New York-based artist who has made and distributed numerous artists' books and books about art.


PUBLISHER OF DOTDOTDOT magazine
Dot Dot Dot Magazine
38 Ludlow Street (Basement)
New York, New York 10002 USA
Tel +1 213 235 6296
info(at)dot-dot-dot.us

Since its conception in 2000 DDD has immatured into a jocuserious fanzine-journal-orphanage based on true stories deeply concerned with art-design-music-language-literature-architecture and uptight optipessimistic stoppy/revelatory ghostwriting by friendly spirits mapping b-sides and out-takes pushing for a resolution in bleak midwinter through late summer with local and general aesthetics wound on an ever tightening coil.





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